This is my preferred workflow just because CPU time is pretty cheap, and in a pinch you can always pull in old clips in their original H.264. This will take much less space than your present process but would mean you'll likely need to transcode the same clips more than once, depending on how you work. Tech Specs: Clip trimming in and out marks transcode a region of the clip Blackmagic Raw support Better integration of macOS 10. Your project file won't know the difference between old ProRes and new ProRes - since they're both from the same source, they will be identical. If so, it’s not that difficult to use something like Edit Ready and batch convert the 10bit h264 GH5 footage to ProRes 422. If you want to stick with free version, I believe you can edit ProRes. If you ever need to re-edit, you'll need to re-transcode fresh ProRes from your original footage. Resolve studio is definitely worth it for GH5 footage looking great. Target Apple ProRes, Avid DNxHD/HR, or h.264 output.Simple UI designed to ensure you get the best quality output for your source media. It's not as responsive, but it's a shorter and simpler workflow that will take less space.īurning processor time would mean transcoding into ProRes, editing and exporting, then deleting the ProRes. EditReady (replaces ClipWrap) can Rewrap or transcode any MXF, MTS (AVCHD), M2T (HDV), MP4, or QuickTime (MOV) file. You can reduce the storage space that you need by spending more of your time or your computer's time.īurning YOUR time means editing from originals. The Sigma 16mm 1.4 paired with the GH5 its pretty easy to get some nic. However, when I shoot in the V-Log profile the transcoded footage is simply black video with the recorded audio. Can you get cinematic results when using the cheap Lumix 25mm f1.7 lens on the Panasonic Lumix GH5 That is the question that we’ll be answering in today’s. Presently storage space is where you're hitting a wall. Sigma 16mm F1.4 has quickly become one of our favorite lenses here at Cinematico HQ. Normally for 10 Bit footage I need to transcode it into something like DNxHD before Premiere will work with it, which is a bit of extra hassle but at least I can get there in the end. Others have mentioned bits of this, but think of it as a balance of three assets
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